Tickets Melbourne

Quick Information

VISITORS PER YEAR

1500000

NUMBER OF ENTRANCES

2

Plan your visit

Did you know?

A large portion of NGV’s acquisitions come from the Felton Bequest (a bequest by Alfred Felton in 1904). Over the years, more than 15,000 works have been purchased through this fund.

The NGV International building is famously surrounded by a shallow moat and water features, part of a cohesive architectural vision to frame the gallery elegantly.

The recent Yayoi Kusama exhibition (2024–25) shattered NGV records: over 570,000 visitors, making it the most attended ticketed exhibition in NGV history and the highest attendance for a visual art show ever in Australia.

Japanese block print of a moonlit bridge scene, National Gallery of Victoria.

A global dialogue in art

At NGV, centuries and cultures meet under one roof. Explore European masters, Asian traditions, Indigenous dot paintings, and bold Australian voices in a single visit.

Stained-glass ceiling by Leonard French at National Gallery of Victoria, Melbourne.

Iconic architecture and spaces

Walk through the shimmering Waterwall, gaze at Leonard French’s stained-glass ceiling in the Great Hall, and enjoy the open-air Sculpture Garden with striking installations.

School children observing art installation at National Gallery of Victoria.

Programs for everyone

From free guided tours and blockbuster fashion shows to hands-on kids’ workshops, NGV ensures both art lovers and families find something memorable.

Visitors viewing Indigenous art at The Ian Potter Centre: NGV Australia.

Australia's creative heart

While NGV International showcases global art, NGV Australia (Ian Potter Center) highlights Indigenous heritage, colonial-era classics, and daring contemporary reinventions.

Azuma Makoto's Block Flowers installation at National Gallery of Victoria.

Here’s a high-level view of its zones and galleries. (Later in the page we’ll spotlight must-sees.)

  • Special exhibitions: Continually rotating blockbuster shows in flexible gallery wings.
  • Level 1: Asian Art & Early European: Chinese ceramics, Japanese prints, early European masters.
  • Level 2: European & International Panorama: Renaissance through 19th century, sculpture, decorative arts.
  • Level 3: Contemporary & Rotating Galleries: Recent acquisitions, installations, cutting-edge art.
  • Sculpture Garden & Outdoor Zone: Outdoor installations and seasonal architecture commissions.
  • NGV Australia (Ian Potter Centre): Indigenous art, colonial history, modern and contemporary Australian works.
Plan your visit to NGV

Must-see highlights in NGV's collection

Angel with tools and geometric shapes in "Melencolia I" at National Gallery of Victoria.

Melencolia I by Albrecht Dürer (1514)

A masterful engraving of introspection and intellectual challenge. NGV holds one of Dürer’s finest copies.

Sheep shearing scene at National Gallery of Victoria, showcasing workers in a shearing shed.
The Great Wave off Kanagawa by Hokusai, displayed at National Gallery of Victoria.
Interior scene from "The Block" by John Brack, featuring a butcher's shop at the National Gallery of Victoria.
The Thinker sculpture at National Gallery of Victoria, Melbourne.
Silhouette of a person behind a water feature at Melbourne's Federation Square.

Ground floor: NGV International

  • Location: Main entry via St Kilda Road.
  • Significance: Serves as the gallery’s welcome zone, with the famous Waterwall at the entrance. This level often houses blockbuster touring exhibitions.
  • Highlights: The Waterwall, ticketed temporary shows in the large exhibition halls, and access to the Sculpture Garden with seasonal architecture commissions.
Chinese tea bowl with gold rim, National Gallery of Victoria.

Level 1: Asian Art & Early European Wings

  • Location: First floor of NGV International.
  • Significance: Dedicated to Asian collections (ceramics, textiles, ink paintings) alongside early European art from pre-Renaissance through Renaissance.
  • Highlights: Chinese jade carvings, Japanese ukiyo-e prints including The Great Wave off Kanagawa, and early Italian panel paintings.
European city square with people and horse-drawn carriage, National Gallery of Victoria painting.

Level 2: European & International Panorama

  • Location: Second floor, NGV International.
  • Significance: The heart of the collection, spanning European Old Masters to 19th-century decorative arts.
  • Highlights: Giambattista Tiepolo’s The Banquet of Cleopatra, Pablo Picasso’s Weeping Woman, and treasures from Rembrandt and Turner.
Person lying under a wind-swept tree in a foggy field, National Gallery of Victoria.

Level 3: Contemporary & Rotating Galleries

  • Location: Upper floor of NGV International.
  • Significance: A dynamic space for contemporary acquisitions and rotating themed exhibitions.
  • Highlights: Installations by international contemporary artists, photography, and digital media showcases.
Garden sculpture and wooden installation at National Gallery of Victoria.

Sculpture Garden & Outdoor Zone

  • Location: Rear of NGV International.
  • Significance: A tranquil outdoor extension of the gallery experience.
  • Highlights: Permanent sculptures, contemporary commissions, and the annual NGV Architecture Commission.
Abstract painting "Big Yam Dreaming" by Kwementyay Kngwarreye at National Gallery of Victoria.

NGV Australia: The Ian Potter Centre (Federation Square)

  • Location: Federation Square, opposite Flinders Street Station.
  • Significance: The world’s first major gallery dedicated entirely to Australian art.
  • Highlights: Indigenous galleries with Emily Kame Kngwarreye’s Big Yam Dreaming, colonial works like Tom Roberts’ Shearing the Rams, and modern icons such as John Brack’s The Block.
  • 1861: The NGV is founded, making it Australia’s first public art gallery. It opens in the State Library of Victoria building.
  • 1880s–1900s: The collection rapidly expands, enriched by colonial art and acquisitions of Old Masters.
  • 1968: NGV International opens on St Kilda Road in a striking modernist building designed by Sir Roy Grounds. The Waterwall and Great Hall stained-glass ceiling become instant icons.
  • 2002: NGV Australia (The Ian Potter Center) opens in Federation Square, dedicated to Indigenous and Australian art.
  • 2003–present: The Melbourne Winter Masterpieces series launches, cementing NGV’s reputation for blockbuster international exhibitions.
  • Today: With over 70,000 works, NGV is Australia’s most visited gallery, blending global treasures with bold contemporary shows.

Check current and upcoming exhibitions at NGV >

Designing culture: The buildings behind NGV Melbourne

The National Gallery of Victoria is really two architectural landmarks in one. NGV International, on St Kilda Road, was designed in 1968 by Sir Roy Grounds, one of Australia’s most celebrated modernist architects. His design turned the gallery into a fortress of culture: bluestone walls, a surrounding moat, and the famous Waterwall at the entrance make the approach as memorable as the art inside. Step into the Great Hall and you’ll find Leonard French’s stained-glass ceiling, the largest of its kind in the world, casting a kaleidoscope of color that visitors love to admire lying flat on the floor.

Across the river at Federation Square, the Ian Potter Center opened in 2002, designed by the innovative Lab Architecture Studio with Bates Smart. Its bold, angular façade of glass, zinc, and sandstone feels futuristic, a sharp contrast to Grounds’ solemn geometry. Together, the two sites embody Melbourne itself: a city that treasures heritage while embracing the avant-garde. Visiting both is like walking through two chapters of architectural history, each telling its own story about art and the city.

Frequently asked questions about NGV Melbourne

What is the National Gallery of Victoria known for?

The NGV is Australia’s oldest and most visited art museum, famous for its world-class collection spanning European masters, Indigenous Australian art, Asian traditions, and contemporary design.

What are some of NGV’s most famous artworks?

Highlights include Picasso’s Weeping Woman (1937), Giambattista Tiepolo’s The Banquet of Cleopatra (1743), Tom Roberts’ Shearing the Rams (1890), and Japanese ukiyo-e prints such as Hokusai’s The Great Wave off Kanagawa (1831).

Why does NGV have two separate sites?

NGV International shows global art, while NGV Australia at Federation Square is dedicated to Australian and Indigenous works. Together, they give visitors two different perspectives on art and culture.

What makes the Great Hall’s ceiling so special?

Leonard French’s stained-glass masterpiece is the world’s largest of its kind. Many visitors lie on the floor to watch light shift across the hall.

How often does NGV change exhibitions?

Blockbuster shows, like Melbourne Winter Masterpieces, change annually. Smaller temporary and rotating exhibitions also run throughout the year, so the experience is never the same twice.

Is NGV a good spot for families?

Absolutely. NGV has dedicated children’s galleries, interactive workshops, and family-friendly exhibitions designed to keep younger visitors engaged.

More reads

Ian Potter Center at NGV Australia with Melbourne skyline at dusk.

NGV opening hours

Aerial view of Melbourne skyline with highways and green spaces in the foreground.

Getting to NGV

French Impressionist paintings displayed in an orange gallery at NGV, Melbourne Winter Masterpieces 2025.

NGV exhibitions